Well the weather wasn’t quite what we expected for July but those rainy afternoons can often be a great excuse to curl up with a good book. Here at Parade’s End our booksellers are lining up our holiday reads, in the meantime, here’s what we read in July.
The Ghost Theatre by Mat Osman
TO LOVE IS TO FALL . . .
On a rooftop in Elizabethan London two worlds collide. Shay is a messenger-girl and trainer of hawks who sees the future in the patterns of birds.
Nonesuch is the dark star of the city’s fabled child theatre scene, as famous as royalty yet lowly as a beggar.
Together they create The Ghost Theatre: a troupe staging magical plays in London’s hidden corners. As their hallucinatory performances incite rebellion among the city’s outcasts, the pair’s relationship sparks and burns against a backdrop of the plague and a London in flames.
Their growing fame sweeps them up into the black web of the Elizabethan court, where Shay and Nonesuch discover that if they fly too high, a fall is sure to come…
When the world is still counting the cost of the Second World War and the Iron Curtain has descended, young Roland Baines’s life is turned upside down.
Stranded at boarding school, his vulnerability attracts his piano teacher, Miriam Cornell, leaving scars as well as a memory of love that will never fade.
Twenty-five years later Roland’s wife mysteriously vanishes, and he is left alone with their baby son.
Her disappearance sparks of journey of discovery that will continue for decades, as Roland confronts the reality of his rootless existence and attempts to embrace the uncertainty – and freedom – of his future.
Mom & Me & Mom by Maya Angelou
‘In the first decade of the twentieth century, it was not a good time to be born black, or woman, in America.’
So begins this stunning portrait of Vivian Baxter Johnson: the first black woman officer in the Merchant Marines, purveyor of a gambling business and rooming house, and mother to Maya Angelou, beloved and bestselling author I KNOW WHY THE CAGED BIRD SINGS.
Anyone who’s read the classic, I Know Why the Caged Bird Sings, knows Maya Angelou was raised by her paternal grandmother in Stamps, Arkansas. In Mom & Me & Mom, Angelou details what brought her mother to send her away and unearths the well of emotions Angelou experienced long afterward as a result.
While Angelou’s six autobiographies tell of her out in the world, influencing and learning from statesmen and cultural icons, Mom & Me & Mom shares the intimate, emotional story about her own family.
Run Rose Run by Dolly Parton and James Patterson
Find a future. Lose a past.
She’s a star on the rise, singing about the hard life behind her.
She’s also on the run.
Nashville is where she’s come to claim her destiny.
It’s also where the darkness she’s fled might find her. And destroy her . . .
RUN ROSE RUN: a story glittering with danger and desire.
Also available: an album of 12 original Dolly Parton songs made for the novel!
Ultra-Processes People by Chris van Tulleken
An eye-opening investigation into the science, economics, history and production of ultra-processed food.
It’s not you, it’s the food.
We have entered a new ‘age of eating’ where most of our calories come from an entirely novel set of substances called Ultra-Processed Food, food which is industrially processed and designed and marketed to be addictive. But do we really know what it’s doing to our bodies?
Join Chris in his travels through the world of food science and a UPF diet to discover what’s really going on. Find out why exercise and willpower can’t save us, and what UPF is really doing to our bodies, our health, our weight, and the planet (hint: nothing good).
For too long we’ve been told we just need to make different choices, when really we’re living in a food environment that makes it nigh-on impossible. So this is a book about our rights. The right to know what we eat and what it does to our bodies and the right to good, affordable food.
Maybe In Another Life by Taylor Jenkins Reid
At the age of twenty-nine, Hannah Martin still has no idea what she wants to do with her life. She has lived in six different cities and held countless jobs since graduating college. On the heels of leaving another city, Hannah moves back to her hometown of Los Angeles and takes up residence with her best friend Gabby. Shortly after, Hannah goes out to a bar one night with Gabby and meets up with her high school boyfriend, Ethan.
Just after midnight, Gabby asks Hannah if she’s ready to go. A moment later, Ethan offers to give her a ride later if she wants to stay. Hannah hesitates. What happens if she leaves with Gabby? What happens if she leaves with Ethan?
In concurrent story lines, Hannah lives out the effects of each decision. Quickly, these parallel universes develop into radically different stories with large-scale consequences for Hannah, as well as the people around her. As the two alternate realities run their course, Maybe in Another Life raises questions about fate and true love: Is anything meant to be? Is there such a thing as a soul mate? Hannah believes there is. And, in both worlds, she’s found him.
Alan Johnson’s childhoodwas not so much difficult as unusual, particularly for a man who was destined to become Home Secretary. Not in respect of the poverty, which was shared with many of those living in Britain’s post-war slums, but in its transition from being part of a two-parent family to having a single mother and then to no parents at all…
This is essentially the story of two incredible women: Alan’s mother, Lily, who battled against poor health, poverty, domestic violence and loneliness to try to ensure a better life for her children; and his sister, Linda, who had to assume an enormous amount of responsibility at a very young age and who fought to keep the family together and out of care when she herself was still only a child.
This Boy is one man’s story, but it is also the story of England and the West London slums which are hard to imagine in the capital today. No matter how harsh the details, Alan Johnson writes with a spirit of generous acceptance, of humour and openness which makes his book anything but a grim catalogue of miseries.
The Wheel Spins by Ethel Lina White
‘Then the rhythm of the train changed, and she seemed to be sliding backwards down a long slope. Click-click-click-click. The wheels rattled over the rails, with a sound of castanets.’
Iris Carr’s holiday in the mountains of a remote corner of Europe has come to an end, and since her friends left two days before, she faces the journey home alone. Stricken by sunstroke at the station, Iris catches the express train to Trieste by the skin of her teeth and finds a companion in Miss Froy, an affable English governess. But when Iris passes out and reawakens, Miss Froy is nowhere to be found. The other passengers deny any knowledge of her existence and as the train speeds across Europe, Iris spirals deeper and deeper into a strange and dangerous conspiracy.
First published in 1936 and adapted for the screen as The Lady Vanishes by Alfred Hitchcock in 1938, Ethel Lina White’s suspenseful mystery remains her best-known novel, worthy of acknowledgement as a classic of the genre in its own right.
Romantic Comedy by Curtis Sittenfeld
Life is (not)* a Romantic Comedy…
With a series of heartbreaks under her belt, Sally Milz – successful script writer for a legendary late-night TV comedy show – has long abandoned the search for love.
But when her friend and fellow writer begins to date a glamorous actress, he joins the growing club of interesting but average-looking men who get romantically involved with accomplished, beautiful women.
Sally channels her annoyance into a sketch, poking fun at this ‘social rule’. The reverse never happens for a woman.
Then Sally meets Noah, a pop idol with a reputation for dating models. But this isn’t a romantic comedy – it’s real life.
Would someone like him ever date someone like her?
Skewering all our certainties about why we fall in love, ROMANTIC COMEDY is a witty and probing tale of how the heart will follow itself, no matter what anyone says. It is Curtis Sittenfeld at her most sharp, daring and compassionate best.
Mrs Porter Calling by A J Pearce
Emmy Lake is the much-loved agony aunt at Woman’s Friend magazine, relied upon by readers across the country as they face the challenges of life on the Home Front. With the problem page thriving and a team of fantastic women behind her, Emmy finally feels she is Doing Her Bit.
But when a glamorous new owner arrives, everything changes. As the Honourable Mrs Porter tries to charm her way around the rest of the team, Emmy realizes that she plans to destroy everything readers love about the magazine.
With happiness quickly turning to heartbreak and war still raging in Europe, will Emmy and her friends find the inner strength they need to keep keeping on – and save the magazine they love?
The Wind Knows My Name by Isabel Allende
No, we’re not lost. The wind knows my name. And yours too. Vienna, 1938.
Samuel Adler is five years old when his father disappears during Kristallnacht — the night their family loses everything. As her child’s safety seems ever harder to guarantee, Samuel’s mother secures a spot for him on the last Kindertransport train out of Nazi-occupied Austria to England. He boards alone, carrying nothing but a change of clothes and his violin. Arizona, 2019. Eight decades later, Anita Diaz and her mother board another train, fleeing looming danger in El Salvador and seeking refuge in the United States. But their arrival coincides with the new family separation policy, and seven-year-old Anita finds herself alone at a camp in Nogales.
She escapes her tenuous reality through her trips to Azabahar, a magical world of the imagination. Meanwhile, Selena Duran, a young social worker, enlists the help of a successful lawyer in hopes of tracking down Anita’s mother. Intertwining past and present, The Wind Knows My Name tells the tale of these two unforgettable characters, both in search of family and home. It is both a testament to the sacrifices that parents make, and a love letter to the children who survive the most unfathomable dangers — and never stop dreaming.
Considered by many to be the iconic French memoirist’s defining work, The Years is a narrative of the period 1941 to 2006 told through the lens of memory, impressions past and present, cultural habits, language, photos, books, songs, radio, television, advertising and news headlines.
Annie Ernaux invents a form that is subjective and impersonal, private and collective, and a new genre – the collective autobiography – in order to capture the passing of time. At the confluence of autofiction and sociology, The Years is ‘a Remembrance of Things Past for our age of media domination and consumerism’ (New York Times), a monumental account of twentieth-century French history as refracted through the life of one woman.